注册 登录  
 加关注
   显示下一条  |  关闭
温馨提示!由于新浪微博认证机制调整,您的新浪微博帐号绑定已过期,请重新绑定!立即重新绑定新浪微博》  |  关闭

黄牧的樂府 Music/Ballet

古典音乐及芭蕾舞 Blog Music & Ballet请勿转载

 
 
 

日志

 
 

Diana Vishneva to Leave American Ballet Theater  

2016-09-17 00:56:57|  分类: 樂壇舞壇消息 |  标签: |举报 |字号 订阅

  下载LOFTER 我的照片书  |

Diana Vishneva to Leave American Ballet Theater in June

By ROSLYN SULCAS

Photo

Diana Vishneva performing in “Giselle.” She will give farewell performances with Ballet Theater at the Metropolitan Opera House, on June 19 and June 23, 2017. CreditAndrea Mohin/The New York Times

The Russian ballerina Diana Vishneva, a principal with American Ballet Theater since 2005, will give her farewell performances with the company, at the Metropolitan Opera House, on June 19 and June 23, 2017. She will dance the role of Tatiana in John Cranko’s “Onegin,” with Marcelo Gomes. Ms. Vishneva, 40, is also a principal dancer with the Mariinsky Ballet in St. Petersburg, and will remain with that company.

In an email, she wrote, “I certainly don’t stop doing the big classics!” She said that she had made the decision to leave Ballet Theater because she felt she had “too many big demanding projects on my plate.”

She added: “I am simply unable to give 100 percent of myself to A.B.T. — and this is not the way I function.” She said that she had chosen the role of Tatiana for her farewell because of its powerful dramatic component, and because it allowed her to dance with Mr. Gomes, “one of my best partners.”

Ms. Vishneva said that although the June performances would be her official farewell, she did not rule out one-off guest performances with the company in the future. She has a large repertory to choose from: in her 12-years with Ballet Theater she has performed in an extensive range of work, from the 19th-century classics to pieces by George Balanchine, Frederick Ashton, Kenneth MacMillan, John Neumeier and Alexei Ratmansky.

She has also performed independently in her own productions, commissioning pieces from contemporary choreographers like Moses Pendleton and Carolyn Carlson, as well as from ballet choreographers like Jean-Christophe Maillot and Mauro Bigonzetti.

In 2013, she founded Context, an international festival of contemporary dance in St. Petersburg. This year, she said, the festival will expand to become parallel programs in Moscow and St. Petersburg, and she has commissioned the Israeli choreographer Ohad Naharin to create a work for herself and Aurélie Dupont, the former Paris Opera Ballet étoile who is now the director of that company.

“I constantly monitor the contemporary dance scene for excellence and innovation,” she wrote. “And of course I’m always considering the possibility of creating my own ’bespoke’ projects with these choreographers.”

Asked whether she would consider directing a ballet company in the future, she remained noncommittal. “Let’s wait and see,” she said.

  评论这张
 
阅读(46)| 评论(0)
推荐 转载

历史上的今天

在LOFTER的更多文章

评论

<#--最新日志,群博日志--> <#--推荐日志--> <#--引用记录--> <#--博主推荐--> <#--随机阅读--> <#--首页推荐--> <#--历史上的今天--> <#--被推荐日志--> <#--上一篇,下一篇--> <#-- 热度 --> <#-- 网易新闻广告 --> <#--右边模块结构--> <#--评论模块结构--> <#--引用模块结构--> <#--博主发起的投票-->
 
 
 
 
 
 
 
 
 
 
 
 
 
 

页脚

网易公司版权所有 ©1997-2017