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2016年08月15日  

2016-08-16 03:28:32|  分类: 默认分类 |  标签: |举报 |字号 订阅

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How Iván Fischer found greatness with the Budapest Festival Orchestra

The conductor has confronted Hungarian politicians on the streets and orchestral conventions in the concert hall. Ahead of their Prom, Iván Fischer explains how he created one of the world’s finest orchestras

 

Stephen Moss

@StephenMossGdn

 

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Musicians dislike the C-word – “a career, no I never give that a thought,” they will protest – but in the great Hungarian conductor Iván Fischer’s case you suspect it is true. “I never consider mountain peaks to be reached,” he tells me in his soft, careful, accented English. “It has never been in my mind that I want to achieve certain things. If I achieved anything in terms of career, it was an accident.”

Fischer says he tries to avoid much of what being a high-profile conductor implies. “About 90% of what a conductor represents are things I don’t like. I just like a very small fraction of this profession, which is the music. The rest – the glamour, the power, the hierarchy, the routine of how to work with orchestras – is something I don’t feel comfortable with. I never had a feeling that this was what I wanted to do. I bear it because I have to, but it’s not something that attracts me. The last profession I would choose is conducting.”

We are meeting at Fischer’s large, quiet house in a suburb of south-west Berlin. As well as being founder and music director of the Budapest Festival Orchestra, Fischer is now also music director of the Konzerthaus in Berlin. He has had one or two run-ins with Hungary’s rightwing government recently, and living in Berlin with his wife and two sons gives him a bit of breathing space, though he remains utterly committed to his Budapest orchestra, which he will be bringing to theProms on 26 August.

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