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Vogue features Diana Vishneva  

2013-07-22 18:26:00|  分类: 樂壇舞壇消息 |  标签: |举报 |字号 订阅

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Vogue features Diana Vishneva: she is like a rose, just as beautiful and just as complicated
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Diana Vishneva Vogue Russia Vogue features Diana Vishneva: she is like a rose, just as beautiful and just as complicatedThe Septem­ber issue of Vogue Rus­siacon­tained an inter­view with the Mari­in­sky prima baller­ina Diana Vish­neva. She was about to dance Angelin Preljocaj’s Le Parc. When asked to describe Vish­neva he said that  “she is impossible to describe, like a rose: just as beau­ti­ful and just as complicated”.

One of her first part­ners was Farukh Ruzimatov


Farukh was my first love. He is a com­plex per­son and was always dis­sat­is­fied — with us, and with me. But there were also moments of hap­pi­ness that made all the suf­fer­ing worth it. When we danced in Roland Petit’s “Car­men” it was some­thing unbe­liev­able, as if there was some­thing pro­pelling us ever upward. He is 13 years older than me, but on stage we must be equal… Life on stage gets so messed up when the off-stage rela­tion­ship is involved: there were moments when I thought “I hope I get through this alive!”

“We sep­ar­ated, then got back together again — but it was a pas­sion that could only end in tragedy. In the end I decided that I should go to the West.


She was an instant suc­cess. Amer­ican Vogue wrote: “Diana Vish­neva — Beauty in motion.” This inspired the title of her even­ing of dance that she toured around the world. “Beauty in Motion”, moun­ted for her by Sergei Danilian, con­sisted of com­mis­sioned pieces from the cho­reo­graph­ers Alexei Rat­mansky, Moses Pendleton and Dwight Rhoden.
Diana Vishneva Bottega Veneta Vogue features Diana Vishneva: she is like a rose, just as beautiful and just as complicated

Dress by Bot­tega Veneta


Being in the West brought her in to con­tact with another styles and rep­er­toires. Like many gradu­ates of the Vag­an­ova Academy, Vish­neva hadn’t used her per­fectly trained body out­side of the clas­sical vocab­u­lary. She says,



In school I saw a video on Sylvie Guillem. I was shocked by her incred­ible physique. I thought, here we know noth­ing, we see noth­ing, we don’t under­stand! We must learn to use the feet dif­fer­ently, stretch the body in new dir­ec­tions. I decided to fol­low my own path like she had done — away from dan­cing only the clas­sics and toward mod­ern cho­reo­graphy, dance made spe­cially for me …

Pho­to­graphy for Vogue Rus­sia by Patrick Demarchelier

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