注册 登录  
 加关注
   显示下一条  |  关闭
温馨提示!由于新浪微博认证机制调整,您的新浪微博帐号绑定已过期,请重新绑定!立即重新绑定新浪微博》  |  关闭

黄牧的樂府 Music/Ballet

古典音乐及芭蕾舞 Blog Music & Ballet请勿转载

 
 
 

日志

 
 

Diana Vishneva on Vaganova  

2013-11-02 06:41:29|  分类: 樂壇舞壇消息 |  标签: |举报 |字号 订阅

  下载LOFTER 我的照片书  |

Diana Vish­neva feels pas­sion­ately about the Vag­an­ova Bal­let Academy, from where she gradu­ated in 1995, and yes­ter­day made it clear that she has doubts about its future under the new school Prin­cipal, Nikolay Tsis­karidze. Last year, the his­toric school cel­eb­rated its 275th anniversary, and Vish­neva talked to Anna Galaida about its importance.

The school is everything: the guar­an­tee of future suc­cess and dur­a­tion of our pro­fes­sional lives. The teach­ers you have are of vital import­ance, from the primary school, when you’re put in a pos­i­tion and taught the basics, right through to the final year. When I came to the West, I real­ized that in our school there are some down­sides, but it has great strengths: the place­ment of the hands, the back, the con­trol of breath­ing dur­ing move­ment… no other school is bet­ter at this.

I think if Vag­an­ova was alive, she would have mod­i­fied the tech­nique. At the time, she took the best that exis­ted in the bal­let world and united it in her method. If she had seen how bal­let in the West has developed in recent years, I think she would have incor­por­ated parts of that.

Going slightly against her recent com­ments about Tsis­karidze who, if noth­ing else, surely has a unique per­son­al­ity, she adds:

For the Vag­an­ova method to evolve you need teach­ers with strong per­son­al­it­ies, and now I don’t see these people. The last was Kon­stantin Sergeyev who kept an eye on the new trends in dance. When I was in the third grade he gave me a per­fect score, which is unusual at this age. Maybe he noticed a new aesthetic…

Tra­di­tion is a very import­ant concept in our pro­fes­sion, and the school should pre­serve it, but we mustn’t for­get that the people who cre­ated these tra­di­tions were always look­ing for improve­ments. Vaganova’s own stu­dents said that she approached each of them as individuals.

The Vag­an­ova is one of the best schools in the world. When I first went to the Amer­ican Bal­let Theatre, I was very nervous because I had to dance Ken­neth MacMillan’s bal­lets for the first time. Irina Kolpakova - her­self a product of the Vag­an­ova school — said, “What are you wor­ry­ing for, you have the Vag­an­ova train­ing!”… The Vag­an­ova Academy gave me com­plete free­dom to move in any way I choose to.

  评论这张
 
阅读(153)| 评论(0)
推荐 转载

历史上的今天

在LOFTER的更多文章

评论

<#--最新日志,群博日志--> <#--推荐日志--> <#--引用记录--> <#--博主推荐--> <#--随机阅读--> <#--首页推荐--> <#--历史上的今天--> <#--被推荐日志--> <#--上一篇,下一篇--> <#-- 热度 --> <#-- 网易新闻广告 --> <#--右边模块结构--> <#--评论模块结构--> <#--引用模块结构--> <#--博主发起的投票-->
 
 
 
 
 
 
 
 
 
 
 
 
 
 

页脚

网易公司版权所有 ©1997-2017